Movies are more than just narratives; they serve as visual mirrors that enchant us with their plots and stunning aesthetics, one of which is costume design. From the intricate details to the bold statements, costumes are an art form that brings movies to life. A great costume design can reveal character depths, set the tone, transport us to another era, and make us feel like we belong in their world.
Here’s a list of Nigerian movies from the last five years with impressive costume design:
“King of Boys: The Return of the King” (2021)
Costume Designer: Yolanda Okereke
A sequel to the 2018 hit “King of Boys,” the series continues the legacy of its predecessor about a woman’s struggle for power in the male-dominated world of politics. The lead, Eniola Salami (played by Sola Sobowale), makes bold statements with her costumes through a fusion of traditional and modern styles, reflecting her commanding presence and unyielding spirit. The mix of traditional and contemporary elements in her outfits symbolises her authority and resilience, creating a visually compelling representation of her character.
With the costumes of “Odogwu Malay”(Illbliss), Makanaki (Reminisce), “Nurudeen Gobir” (Paul Sambo) and “Aare Akinwande” (Akin Lewis), the movie perfectly depicts the cultural diversity in a country with various tribes. The costumes also do an excellent job of portraying what power looks like. From the well-tailored kaftans to creative street styles, power takes on different looks in “King of Boys.”
“Ayinla” (2021)
Costume Designer: Ade Bakare
“Ayinla” is a musical biopic that delves into the life of Ayinla Omowura, a legendary Yoruba Apala musician, tracing his journey from humble beginnings to the peak of his musical career, leading to his untimely demise. The film is set in the 1970s and meticulously portrays the era through its costume design. The costumes artfully capture the essence of the time, showcasing a rich tapestry of traditional Yoruba clothing such as Aso-Oke, Adire, and other indigenous textiles. The attention to detail in the costumes adds depth and authenticity to the visual storytelling, immersing viewers in the vibrant cultural heritage of the Yoruba people during that era.
“Aníkúlápó” (2022)
Costume Designer: Toyin Ogundeji
Anikulapo is a captivating period drama that unfolds in the rich tapestry of the ancient Oyo Empire, chronicling Saro’s enchanting, mystical journey. This cinematic masterpiece intricately weaves the essence of Yoruba traditional attire into its visual storytelling, showcasing the meticulous details of elaborate beadwork, sophisticated hairstyles, and a palette of vibrant and richly coloured fabrics that bring the cultural heritage to life on screen.
“Afamefuna: An Nwa Boi Story (2023)
Costume Designer: Bunmi Oladipo
A notable man faces police interrogation following his friend’s death, delving into their complex past within the Igbo apprenticeship system. The incorporation of genuine Igbo attire, from the everyday “work look” to the traditional attire for special occasions, perfectly aligns with the characters and general storytelling. This highlights the uniqueness of the “Igbo man look” and adds depth to the film’s portrayal of Igbo culture and traditions.
“Jagun Jagun” (2023)
Costume Designer: Lola Awe
This epic tale of war, love, power, and destiny is set in a fictional ancient Yoruba kingdom. The film stands out for its elaborate and historically inspired costumes, from traditional Yoruba war attire to ceremonial clothing. The costume designs beautifully showcase the cultural heritage of the Yoruba people, adding an extra level of authenticity.
Beyond entertainment, these movies offer a visual feast that shows off Nigeria’s rich cultural heritage and evolving fashion landscape, highlighting the significance of costume design as a crucial element of storytelling.
